{"id":3853,"date":"2020-09-10T14:23:18","date_gmt":"2020-09-10T14:23:18","guid":{"rendered":"https:\/\/desis.osu.edu\/seniorthesis\/?p=3853"},"modified":"2020-09-10T14:23:19","modified_gmt":"2020-09-10T14:23:19","slug":"new-yorks-experimental-housing-gallery-is-organizing-mutual-aid-and-using-its-storefront-to-supply-protesters","status":"publish","type":"post","link":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/2020\/09\/10\/new-yorks-experimental-housing-gallery-is-organizing-mutual-aid-and-using-its-storefront-to-supply-protesters\/","title":{"rendered":"New York\u2019s Experimental HOUSING Gallery Is Organizing Mutual Aid and Using Its Storefront to Supply Protesters"},"content":{"rendered":"\n

Artnet.com, by Rain Embuscado, June 17, 2020<\/a><\/p>\n\n\n\n

The HOUSING Model<\/strong><\/h4>\n\n\n\n

Since its inception<\/a> in 2016, HOUSING has been something of a north star for Black artists and artists of color railing against gentrification in New York. HOUSING\u2019s story places it<\/a> in direct opposition to art world capitalism and its attendant features: it is a Black-owned, curatorially driven hybrid gallery championing BIPOC artists.<\/p>\n\n\n\n

HOUSING has also participated in fairs from Miami<\/a> to San Juan<\/a> to Barcelona<\/a>. Since the closure of its original Bed-Stuy space in 2017, it has functioned as a \u201cmigratory, concept-based gallery.\u201d But the coronavirus pandemic, and its impact on disenfranchised citizens living and working on the frontlines, compelled Freeman to pause HOUSING\u2019s regular programming.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u201cI thought it was important to begin a fund for people of color that was not tied to some regular entity, like, say, a nonprofit, which can be so political and draining and delay the timeframe of when someone gets money,\u201d Freeman said. \u201cIt was important to advocate for those who might not have gotten their stimulus check, or who might not have been working in the last year; people who maybe didn\u2019t do their taxes. Getting the stimulus check and getting government aid was based on all of these aspects that not everyone qualified for.\u201d<\/em><\/p>\n\n\n\n

A Community Intervention<\/strong><\/h4>\n\n\n\n

Then, on May 25, the specter of police brutality reared its head and the country erupted into an unprecedented outcry. The nationwide uprising around George Floyd\u2019s death prompted HOUSING to mobilize as a community node once more.<\/p>\n\n\n\n

On Sunday, June 7, the gallery inaugurated a three-year lease on its newest location in Manhattan\u2019s Lower East Side at 191 Henry Street with an evening titled \u201cVigil for Black Death.\u201d With contributions from artists Keijaun Thomas, Baseera Khan, and Sofia Moreno (among others), the ceremony featured a reel of video works on display from behind the space\u2019s storefront window.<\/p>\n\n\n\n

But perhaps even more importantly, the temporary space was activated in another way amid the ongoing protests. It has served as a base to distribute bottled water and supplies, and a site to regroup<\/a> for protesters on the ground.<\/p>\n\n\n\n

With a solo exhibition of Nathaniel Oliver\u2019s works set for this September, Freeman plans on sustaining HOUSING\u2019s curatorial program and responsibilities to community simultaneously, all guided by the knowledge that the fight to dismantle and reimagine the art world (and the country) is neither new nor over.<\/p>\n\n\n\n

\u201cI want Black and Brown artists to feel loved,\u201d Freeman said. \u201cI want them to know that there are people who are fighting for them in an authentic and genuine way that\u2019s not tied to how much money they can make off of them.\u201d<\/p>\n\n\n\n

Analysis<\/strong>:<\/p>\n\n\n\n

In so many cases in my research, galleries were presented as tools for gentrification and displacement and HOUSING definitely addresses that. In general, their mission is a really great model for possible interventions in the Short North, and it was especially interesting to think about how artist spaces could double as a resource center when as HOUSING did during Black Lives Matter protests. <\/p>\n","protected":false},"excerpt":{"rendered":"

Artnet.com, by Rain Embuscado, June 17, 2020 The HOUSING Model Since its inception in 2016, HOUSING has been something of a north star for Black artists and artists of color railing against gentrification in New York. HOUSING\u2019s story places it in direct opposition to art world capitalism and its attendant features: it is a Black-owned, curatorially driven hybrid gallery championing […]<\/p>\n","protected":false},"author":21,"featured_media":3855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":{"0":"post-3853","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts"},"_links":{"self":[{"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/posts\/3853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/comments?post=3853"}],"version-history":[{"count":3,"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/posts\/3853\/revisions"}],"predecessor-version":[{"id":4697,"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/posts\/3853\/revisions\/4697"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/media\/3855"}],"wp:attachment":[{"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/media?parent=3853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/categories?post=3853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/desis.osu.edu\/seniorthesis\/index.php\/wp-json\/wp\/v2\/tags?post=3853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}